It's comforting to count things.

Nearly 13, Alice rebels, telling the Paris police that her mother is a murderer. Alice has no evidence; her mother, Eva, rich and powerful, avoids charges. Alice promptly runs away, determined to find her dad whom she claims lives in Portugal. The police believe he is dead and that Alice is in denial. Nonetheless, they dispatch Anita, an Italian police officer on loan to the French, to find Alice and bring her back. Meanwhile, Eva has launched her own paramilitary force to hunt for Alice, and Alice has found a protector in Hugo, an ex-soldier turned hit man and gang member. He promises to get her to her father. All roads lead to a small town on the Portuguese coast.

《IDOL：The Coup》是韩国JTBC于2021年11月8日播出的月火连续剧。由《先热情的打扫吧》导演卢宗灿与《未生》、《河伯的新娘 2017》郑允晶编剧合作。讲述面临着“解散危机”需要一次“成功”的“没前途偶像歌手”最后的故事。

Portrays the last story of “doomed idols” who need a single “success” in order to “disband.” The story of young people who confidently let go of their dreams as they grow through their failures and take courageous steps towards their new goals.

Unpacks fascinating story of Shelley "Siren" Beattie and her complex legacy entwined with beauty, mental illness and love.

Fanny and Jean have everything of an ideal couple: fulfilled in their professional life, they live in a magnificent apartment in the beautiful districts of Paris and seem to be in love as on the first day. But when Fanny crosses, by chance, Alain, a former high school friend, she is immediately capsized. They see each other again very quickly and get closer and closer.

It's the story of Charly Cohen, a young boy living in the Jewish quarter of Paris, who wants to become a musician and Zeff, his best friend, on a quest for his own identity. The story of a real friendship, which is going to deteriorate progressively as the differences in origin, religion and social standing appear. It's a testimony, a contemporary chronicle, a funky comedy.

In Bastia and the surrounding area, a deceived husband kills his rival in anger. But are things as simple as they seem?

A documentary giving film fans a behind-the-scenes look at the making of this film,

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.